This Review Reveals Minor Details About the Plot.
Plot Overview




In 1982
NASA announces heightened solar flare
activity causing ripples in space. A model white family the Platts
(straight out of a first grade primer) in an all-white
neighborhood—governed by covenants—at the end of
Oak Street (named after a white oak) examines a newly sprouted
plant in a neighbor's backyard. The Flowervale librarian
identifies it as an extinct species from prehistoric times. Since
it has a brown stem, like a coconut tree, they have to
remove it, of course. Their next door neighbor Mel Jacobs (P.J.
Byrne) complains about a humongous pile of dung in his yard
deposited supposedly by the Platts's Australian shepherd Starbuck
(named after a café catering to Whites.) They all clean it
up together. The ensuing wormhole encounter swaps their whole
neighborhood with a prehistoric one leaving well-armed Whitey
to repel the brown horde from the turd world.


Besides
having to fend off hungry dinosaurs the boy Brian Pratt (Christian
Convery) armed with bow & arrows gets into it with bully
Zachary (Simms May) over the latter brother's broken arm. And their only
escape back to the future would involve traversing another wormhole
that would deposit them in colored woman Mrs. Rey's large
backyard swimming pool, but the Whites lack permission to swim in the
colored pool. So much for common humanity.
Ideology

Where is that place they talk of and paint nice pictures of and describe in all the homey magazines? Where is that place with the clean, white cottages surrounding the new red-brick church with the clean, white steeple, where the families all have two children, one boy and one girl, and a shiny new car in the garage and a dog and a cat and life is like living in the land of happily-ever-after? Surely it must be around here someplace, someplace in America. (159)
The festivities are marred by the
two children wondering if their parents are about to divorce. The
mom Denise Platt (Anne Hathaway) has been working on a pseudo
autobiographical novel about a woman dissatisfied with
her marriage. The dad Greg (Ewan McGregor) secretly got laid off a
few weeks back and has been supplementing his income with part time
work that the mom doesn't realize he needs. And he's starting to
drink. Their cosmic relocation (“Our whole street has
moved”) seems to be a message from God (“We're in the
past”) that people are supposed to keep their commitments as
we would expect the divine being to keep His to Noah and his
progeny. (Gen. 8:21) “And
… the LORD said in his heart, I will not again curse the
ground any more for man's sake; for the imagination of man's heart
is evil from his youth; neither will I again smite any more every
thing living, as I have done.” God will just put up with
man's continuing foibles and let them have a stable earth so they
won't run out of cow's milk for their cereal. Couples are supposed
to work through their difficulties, not end their commitment
to themselves and their children.
Production Values
“” (2026) was written and directed by David Robert Mitchell. It stars Anne Hathaway, Ewan McGregor, Christian Convery, and Maisy Stella. The adult leads held their own, but the child leads could have used more directing.
MPA rated it PG–13 for some strong violent content, bloody images, some strong language and suggestive material. Music composition was by Michael Giacchino. The dino effects were realistic and frightening. Runtime is 1 hour 39 minutes.
Review Conclusion w/a Christian's Recommendation



In dire straits the father says,
“God's not gonna let us die.” The mother retorts
cynically that he only goes to church once a year on Christmas, and
now he's their spiritual leader? The kids ask their orphaned pal
Jeannette Christiansen (Jordan Alexa Davis) if they allow
prayer in her private school, and she replies that one doesn't need
permission to pray. This cynicism works better in a movie than
would making it outright faith-based. The girl Audrey (Maisy
Stella) reads First Man on the Moon at night and has
aspirations to attend Cornell.
Besides toning down the movie for young viewers, helpful material is given to think about. TEOOS is a stimulating, entertaining, and bona fide great movie overall.
Movie Ratings
Action factor: Edge of your seat action-packed. Suitability for Children: Suitable for children 13+ years with guidance. Special effects: Amazing special effects. Video Occasion: Good for Groups. Suspense: Don't watch this movie alone. Overall movie rating: Three and a half stars out of five.
Works Cited
Scripture quoted from the King James Version. Pub. 1611, rev. 1769. Software.
Okada, John. No-No Boy. Copyright © 1976 by Dorothy Okada. Seattle and San Francisco: Combined Asian American Resources Project, Inc., 1977. Print.