This Review Reveals Minor Details About the Plot.
Garbage In, Garbage Out
Plot Overview

American jurisprudence is based on the British system of
innocent until proven guilty. In our near future, a large influx of
immigrants—legal or not—from south of the border has
deformed our population; gangs contributed to an intolerable
increase in violence. Mexican jurisprudence is based on the
Napoleonic code of guilty until one proves his innocence. LAPD Detective
Chris Raven (Chris Pratt,) with his new partner Jacqueline "JAQ"
Diallo, seeing his former partner's murderer walk has
spearheaded a sea change to instigate the assumed guilty
protocol. It is being beta tested now with eighteen (slam dunk)
convictions so far to make it palatable to the public.


Det.
Raven has typical cop problems at home; he's got a sometimes
fiery temperament and fights with his wife. When their teenage
daughter Britt (Kylie Rogers) discovers her mom's knifed body in
the kitchen when she gets home from school, the police are called
and suspicion naturally falls on the husband. Surveillance
footage shows he's the only one to have come & gone from the
house in the critical time frame. They pick him up in his cups from
a bar. He's got blood splatters from his wife Nicole (Annabelle
Wallis) on his clothing. He protests his innocence though he has an
alcoholic blackout from when the girl died. He is strapped to a
seat timed for auto-execution in ninety minutes unless he can convince the
AI Judge Mattox (Rebecca
Ferguson) there's reasonable doubt before that happens.
The best defense against quicksand, of course, is not to step in it in the first place. With technical assistance he uncovers burner phones his wife and a strange man were using, but as the guy has an alibi, Chris's suspicion only gives him the husband more motive. Struggling makes it worse. His AA sponsor Rob Nelson (Chris Sullivan,) perhaps not yet clear from his own addiction, is less help than Chris had hoped. His negress cop partner JAQ, perhaps exhibiting unconscious racism, tries but fails to exonerate him. It all comes down to his daughter, if she noticed anything out of place in the home. Her loyalty is intrinsic despite the evidence. It's like a passage from Khaled Hosseini:
When it was time for Jalil to leave, Mariam always stood in the doorway and watched him exit the clearing, deflated at the thought of the week that stood, like an immense, immovable object between her and his next visit. Mariam always held her breath as she watched him go. She held her breath and, in her head, counted the seconds. She pretended that for each second that she didn't breathe, God would grant her another day with Jalil.At night, Mariam lay in her cot and wondered what his house in Herat was like. She wondered what it would be like to see him every day. She pictured herself handing him a towel as he shaved, telling him when he nicked himself. She would brew tea for him. She would sew on his missing buttons. They would take walks in Herat together, in the vaulted bazaar where Jalil said you could find anything you wanted. They would ride in his car, and people would point and say, “There goes Jalil Khan with his daughter.” (22–3)
She unlike others has skin in the game. Unfortunately, statutory regulations prohibit questioning a minor except for narrow exceptions. People must be protected from intrusion. Right.
Ideology


In the
matter of judging, there's the familiar passage: (Matt. 7:3-5) “why beholdest thou
the mote that is in thy brother's eye, but considerest not the
beam that is in thine own eye? Or how wilt thou say to thy brother,
Let me pull out the mote out of thine eye; and, behold, a beam is
in thine own eye? Thou hypocrite, first cast out the beam out
of thine own eye; and then shalt thou see clearly to cast out the
mote out of thy brother's eye.” The “mote in thy
brother's eye” is Chris's jogged remembrance of entering his
house to destroy his wife's favorite vase. He helped her pick up
the pieces, which is how he got her blood on his clothes, from a
cut she got in the process. The “beam in thine own eye”
is the AI's
programming from an amalgamation of ‘solved’ cases in
which the police rushed to judgment with a likely suspect and
failed to consider other possibilities. Some of the
convictions were “mistakes.”
Production Values
“” (2026) was directed by Timur Bekmambetov. It was written by Marco van Belle. It stars Chris Pratt, Rebecca Ferguson and Kali Reis. Pratt and Ferguson were relatively good though not Oscar worthy.
MPA rated it PG–13 for violence, bloody images, some strong language, drug content and teen smoking. The pace was murder, the action high, the twists arresting. Runtime is 1 hour 40 minutes.
Review Conclusion w/a Christian's Recommendation
“Mercy” portrays a degenerating society that loses its legal bearings. If a trained cop can barely survive a future inquisition, where does that leave the rest of us? How about the computer illiterate? It's a legal drama on a short fuse. Tension gets wound tight. A real nail-biter.
Movie Ratings
Action factor: Well done action flick. Suitability for Children: Suitable for children 13+ years with guidance. Special effects: Well done special effects. Video Occasion: Fit For a Friday Evening. Suspense: Keeps you on the edge of your seat. Overall movie rating: Three and a half stars out of five.
Works Cited
Scripture is quoted from the King James Version. Pub. 1611, rev. 1769. Software.
Lions den picture is copyright © Sweet Publishing. Licensed by
FreeBibleimages.
This artistic work is licensed under a Creative
Commons Attribution-ShareAlike 3.0 Unported License.
Hosseini, Khaled. A Thousand Splendid Suns. Copyright © 2007 by ATTS Publications LLC. New York: Riverhead Books, 2007. Print.